{"id":1641,"date":"2020-10-24T09:12:18","date_gmt":"2020-10-24T07:12:18","guid":{"rendered":"https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/2020\/10\/24\/femme-s-feminite-s-et-feminisme-s\/"},"modified":"2020-10-24T09:12:18","modified_gmt":"2020-10-24T07:12:18","slug":"femme-s-feminite-s-et-feminisme-s","status":"publish","type":"post","link":"https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/2020\/10\/24\/femme-s-feminite-s-et-feminisme-s\/","title":{"rendered":"femme(s)  f\u00e9minit\u00e9(s) et f\u00e9minisme(s)"},"content":{"rendered":"<p style=\"text-align: center;\"><span style=\"font-size: 18pt; font-family: trebuchet ms, geneva; color: #800000;\">RESSOURCES<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 18pt; font-family: trebuchet ms, geneva; color: #800000;\">\u00ab femme(s) f\u00e9minit\u00e9(s) et f\u00e9minisme(s)\u00bb<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1638\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/brassempouy.png\" alt=\"puceHida\" width=\"30\" height=\"50\" style=\"vertical-align: middle;\" \/> <span style=\"font-size: 14pt;\"><span style=\"color: #800000;\">Rappel extrait<\/span> <a href=\"https:\/\/www.education.gouv.fr\/bo\/21\/Hebdo26\/MENE2117449N.htm\" target=\"_blank\" rel=\"noopener\">Bulletin officiel n\u00b026 du 1er juillet 2021<\/a><\/span><\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-116\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2010\/06\/flch.gif\" alt=\"flch\" width=\"13\" height=\"18\" style=\"vertical-align: middle;\" \/> <strong>Objets et enjeux de l&rsquo;histoire des arts : femmes, f\u00e9minit\u00e9, f\u00e9minisme<\/strong><\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><\/span><\/p>\n<table style=\"border: 2px solid #005e8d; background-color: #eeffff;\">\n<tbody>\n<tr>\n<td style=\"text-align: justify;\">\n<p><span style=\"font-size: 10pt; font-family: trebuchet ms, geneva;\">Th\u00e8me r\u00e9current dans l&rsquo;art, la figure f\u00e9minine endosse une multitude de statuts au service des \u0153uvres ; muse, image ou symbole, elle est souvent une repr\u00e9sentation fantasm\u00e9e, \u00e9rotis\u00e9e, id\u00e9alis\u00e9e et qui peut servir de mod\u00e8le aux multiples fonctions sociales, tour \u00e0 tour incarnation de la sensualit\u00e9, de la maternit\u00e9, des figures all\u00e9goriques li\u00e9es au sacr\u00e9, \u00e0 la dimension politique ou aux vertus.<\/span><\/p>\n<p><span style=\"font-size: 10pt; font-family: trebuchet ms, geneva;\"><\/span><span style=\"font-size: 10pt; font-family: trebuchet ms, geneva;\">Cette hyper pr\u00e9sence comme sujet ne parvient cependant pas \u00e0 masquer la relative invisibilit\u00e9 des femmes comme cr\u00e9atrices, alors m\u00eame que le geste artistique f\u00e9minin est attest\u00e9 depuis l&rsquo;Antiquit\u00e9. Ancr\u00e9e dans une approche transhistorique, attentive aux \u00e9volutions r\u00e9centes du contexte social, politique et culturel d\u00e9sormais largement soucieux d&rsquo;\u00e9quit\u00e9 et d&rsquo;\u00e9galit\u00e9, cette question permet de jeter un regard nouveau sur ces cr\u00e9atrices trop souvent rest\u00e9es dans l&rsquo;ombre d&rsquo;artistes masculins, voire anonymis\u00e9es ; rares sont les noms de femmes qui ont travers\u00e9 les si\u00e8cles, trop souvent accol\u00e9s \u00e0 celui d&rsquo;un ma\u00eetre, d&rsquo;un \u00e9poux, d&rsquo;un employeur, d&rsquo;un condisciple masculin.<\/span><\/p>\n<p><span style=\"font-size: 10pt;\"><span style=\"font-family: trebuchet ms, geneva;\">De la m\u00eame mani\u00e8re, cette question doit permettre de restituer la richesse des pr\u00e9sences f\u00e9minines dans le domaine des arts, y compris dans leur contribution \u00e0 la connaissance, la diffusion et la pr\u00e9servation, comme collectionneuses, m\u00e9c\u00e8nes, \u00e9rudites, historiennes, th\u00e9oriciennes ou conservatrices. En appui sur certaines d\u00e9marches \u00e9mancipatrices, elle interroge enfin la revendication d&rsquo;une place pour les femmes dans les arts, dans des d\u00e9marches volontaristes li\u00e9es notamment, pour les d\u00e9cennies les plus r\u00e9centes, aux combats f\u00e9ministes.<\/span> <br \/><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><br \/><\/span><\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-116\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2010\/06\/flch.gif\" alt=\"flch\" width=\"13\" height=\"18\" style=\"vertical-align: middle;\" \/><\/span> <strong>Remarque g\u00e9n\u00e9rale :<\/strong> un sujet qui fait \u00e9cho \u00e0 des th\u00e9matiques d\u00e9j\u00e0 travaill\u00e9es : Perriand et art et \u00e9mancipation. Des mat\u00e9riaux qui pourront \u00eatre repris.<\/span><\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><\/span><\/p>\n<p>&nbsp;<\/p>\n<table style=\"border: 2px solid #ff7038;\">\n<tbody>\n<tr>\n<td>\n<p style=\"text-align: center;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 14pt; color: #ff6600;\">Quelles entr\u00e9es ? Quelles probl\u00e9matiques ?<\/span><br \/><span style=\"font-family: trebuchet ms, geneva; font-size: 14pt;\"><span style=\"color: #ff6600;\">Quelques exemples<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 14pt;\"><span style=\"color: #ff6600;\"><\/span> <\/span><br \/><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1597\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2021\/09\/fch_oran.jpg\" alt=\"fch oran\" width=\"20\" height=\"20\" style=\"vertical-align: middle;\" \/> <span style=\"color: #800000;\">Repr\u00e9sentations des femmes dans l\u2019art<\/span> une repr\u00e9sentation de l\u2019identit\u00e9 f\u00e9minine, \u00e0 travers divers visages : d\u00e9esse, m\u00e8re, \u00e9pouse, amante, sainte, p\u00e9cheresse, cr\u00e9ature ang\u00e9lique ou diabolique les images et mod\u00e8les f\u00e9minins.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1597\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2021\/09\/fch_oran.jpg\" alt=\"fch oran\" width=\"20\" height=\"20\" style=\"vertical-align: middle;\" \/><\/span> <span style=\"color: #800000;\">Les femmes \u00ab\u00a0muses\u00a0\u00bb, de mod\u00e8les ou de \u00ab\u00a0femmes de\u00a0\u00bb ?<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1597\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2021\/09\/fch_oran.jpg\" alt=\"fch oran\" width=\"20\" height=\"20\" style=\"vertical-align: middle;\" \/><\/span> <span style=\"color: #800000;\">La place des femmes dans les arts ?<\/span> Quelles femmes artistes ? Les femmes artistes, de grandes artistes ? quelle r\u00e9habilitation des femmes artistes ?<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1597\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2021\/09\/fch_oran.jpg\" alt=\"fch oran\" width=\"20\" height=\"20\" style=\"vertical-align: middle;\" \/><\/span> <span style=\"color: #800000;\">La place des femmes dans les mus\u00e9es<\/span> <a href=\"http:\/\/www.museecamilleclaudel.fr\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.museecamilleclaudel.fr\/<\/a> dans les collections, le march\u00e9 de l\u2019art ?<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1597\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2021\/09\/fch_oran.jpg\" alt=\"fch oran\" width=\"20\" height=\"20\" style=\"vertical-align: middle;\" \/><\/span> <span style=\"color: #800000;\">Les femmes m\u00e9c\u00e8nes<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1597\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2021\/09\/fch_oran.jpg\" alt=\"fch oran\" width=\"20\" height=\"20\" style=\"vertical-align: middle;\" \/><\/span> <span style=\"color: #800000;\">Existe-t-il une esth\u00e9tique du f\u00e9minin ?<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1597\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2021\/09\/fch_oran.jpg\" alt=\"fch oran\" width=\"20\" height=\"20\" style=\"vertical-align: middle;\" \/><\/span> <span style=\"color: #800000;\">Un art genr\u00e9 ?<\/span> Le genre a-t-il une place dans la production artistique ? Une vision de l\u2019art au f\u00e9minin ?<\/span><\/p>\n<ul>\n<li style=\"text-align: justify;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 10pt;\">Comment l&rsquo;\u00e9mergence de \u00ab nouveaux genres \u00bb d&rsquo;images est port\u00e9e par les femmes<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 10pt;\">Pourquoi approche-t-on l\u2019\u0153uvre d\u2019UNE artiste diff\u00e9remment de celui d\u2019UN artiste ? <a href=\"https:\/\/fr.wikipedia.org\/wiki\/%C3%89tudes_de_genre\" target=\"_blank\" rel=\"noopener\">Gender Studies<\/a> <\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 10pt;\">Comment ne pas les r\u00e9duire \u00e0 une question de genre et montrer que leur d\u00e9marche artistique est, au m\u00eame titre que les hommes, en relation avec les probl\u00e9matiques sociales et culturelles ? Certaines pratiques artistiques apparaissent comme un art \u00ab viril \u00bb r\u00e9serv\u00e9 aux hommes. C\u2019\u00e9tait le cas dans le domaine de la sculpture au 19e si\u00e8cle. Aujourd\u2019hui, des artistes telles <a href=\"http:\/\/www.documentsdartistes.org\/artistes\/molinero\/repro.html\" target=\"_blank\" rel=\"noopener\">Anita Molinero<\/a> et Morgane Tschiember utilisent le b\u00e9ton, les carrosseries de voitures, et certains critiques d\u00e9finissent leurs \u0153uvres comme des \u00ab sculptures viriles \u00bb. En musique, c\u2019est la m\u00eame chose. Au 19e si\u00e8cle, les compositrices passaient pour une erreur de la nature. En 2016, 21 femmes sont chefs d\u2019orchestre pour 856 hommes selon les chiffres de la SACD. Quels sont les v\u00e9ritables changements depuis le 19e si\u00e8cle ? <span style=\"color: #800000;\">Il existerait d\u00e8s lors une vision de l\u2019art f\u00e9minin sp\u00e9cifique et homog\u00e8ne (l\u00e0 o\u00f9 l\u2019art masculin serait universel et diversifi\u00e9 ? <\/span><\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 10pt;\"><span style=\"color: #800000;\"><\/span><\/span><span style=\"font-family: trebuchet ms, geneva; font-size: 10pt;\">Le genre a-t-il une place dans la production artistique ? Cette recherche de la diff\u00e9renciation entre les pratiques des femmes et celles des hommes traduit l\u2019influence des constructions sexu\u00e9es qui s\u2019exercent \u00e0 la fois sur la mani\u00e8re dont les femmes artistes pratiquent l\u2019art, et sur les jugements que d\u2019aucuns peuvent porter sur leurs \u0153uvres.<\/span><\/li>\n<\/ul>\n<p style=\"text-align: justify;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1597\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2021\/09\/fch_oran.jpg\" alt=\"fch oran\" width=\"20\" height=\"20\" style=\"vertical-align: middle;\" \/><\/span><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><\/span> <span style=\"color: #800000;\">Le mouvement f\u00e9ministe dans l\u2019art ?<\/span> l\u2019art \u00e0 la rencontre des luttes f\u00e9ministes ? Art f\u00e9ministe, art activiste ? <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1597\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2021\/09\/fch_oran.jpg\" alt=\"fch oran\" width=\"20\" height=\"20\" style=\"vertical-align: middle;\" \/><\/span><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><\/span> <span style=\"color: #800000;\">La place de l\u2019art dans les pratiques d\u2019\u00e9mancipation ?<\/span> r\u00e9fl\u00e9chir \u00e0 l\u2019histoire des expositions de collectifs d\u2019artistes femmes<\/span><\/p>\n<p><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\"><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1638\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/brassempouy.png\" alt=\"puceHida\" width=\"30\" height=\"50\" style=\"vertical-align: middle;\" \/><\/span><span style=\"font-size: 14pt; color: #800000;\"><span style=\"font-family: trebuchet ms, geneva;\"> EXPOSITIONS <span style=\"font-size: 12pt;\">(pass\u00e9es, en cours ou \u00e0 venir) &#8211; v<\/span><\/span><span style=\"font-family: trebuchet ms, geneva; font-size: 12pt;\">oir les catalogues<\/span><\/span><\/p>\n<ul style=\"list-style-type: square;\">\n<li><strong><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Germaine Krull (1897-1985) Un destin de photographe<\/span><\/strong><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">du 02 juin au 27 septembre 2015<\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Jeu de Paume, Paris\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><strong>Charlotte Perriand, politique du photo montage,<\/strong> <\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Recontres photographique d\u2019Arles 2021<br \/><\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.qwant.com\/?q=Suzanne+Valadon+et+ses+contemporaines&amp;t=videos&amp;o=0%3AeMTO3XHHe9M\" target=\"_blank\" rel=\"noopener\"><strong>Suzanne Valadon et ses contemporaines<\/strong><\/a>, Monast\u00e8re de Brou, 2021\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Exposition <strong>\u00ab\u2009Women House\u2009\u00bb<\/strong> Paris, 11 Conti, 20 octobre 2017\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"mailto:elles@centrepompidou\"><strong>elles@centrepompidou<\/strong> <\/a>Artistes femmes dans les collections du Mus\u00e9e national d&rsquo;art moderne <\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">27 mai 2009 &#8211; 21 f\u00e9vr. 2011\n<p><\/span><\/li>\n<li><strong><a href=\"https:\/\/www.mamac-nice.org\/fr\/exposition\/she-bam-pow-pop-wizz-les-amazones-du-pop\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">She-Bam Pow POP Wizz !<\/span><\/a><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"> <\/span><\/strong><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Les Amazones du POP 03 octobre 2020 &#8211; 28 mars 2021\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><strong>Pauline Viardot<\/strong>, voir le centre de Bougival\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><strong>Camille Claudel<\/strong> Piscine \u00e0 Roubaix en 2014 ou 2015.\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><strong><a href=\"https:\/\/www.nationalgeographic.fr\/histoire\/2020\/03\/artemisia-gentileschi-la-premiere-grande-peintre-de-lhistoire\" target=\"_blank\" rel=\"noopener\">Artemisia Gentileschi<\/a><\/strong> (L\u2019exposition \u00ab Artemisia \u00bb \u00e0 la National Gallery)\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><strong>Sofonisba Anguissola ou Lavinia Fontana<\/strong> (Le Mus\u00e9e du Prado pr\u00e9sente deux expositions tr\u00e8s int\u00e9ressantes : \u00ab\u00a0El Maestro de Papel\u00a0\u00bb et \u00ab\u00a0Sofonisba Anguissola et Lavinia Fontana, l&rsquo;Histoire de deux femmes peintres\u00a0\u00bb).\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/museeduluxembourg.fr\/fr\/agenda\/evenement\/peintres-femmes-1780-1830\" target=\"_blank\" rel=\"noopener\"><strong>Peintres femmes 1780 &#8211; 1830 naissance d&rsquo;un combat<\/strong><\/a> au mus\u00e9e du Luxembourg\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.centrepompidou.fr\/fr\/programme\/agenda\/evenement\/OmzSxFv\" target=\"_blank\" rel=\"noopener\"><strong>\u00ab\u00a0Elles font l&rsquo;abstraction\u00a0\u00bb<\/strong><\/a> CENTRE GEORGES POMPIDOU\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.fondationlouisvuitton.fr\/fr\/evenements\/cindy-sherman-a-la-fondation-louis-vuitton\" target=\"_blank\" rel=\"noopener\"><strong>R\u00e9trospective Cindy Sherman<\/strong><\/a> \u00e0 la fondation Louis Vuitton : visite guid\u00e9e virtuelle\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.palaisgalliera.paris.fr\/fr\/expositions\/gabrielle-chanel-manifeste-de-mode\" target=\"_blank\" rel=\"noopener\"><strong>Gabrielle Chanel.<\/strong><\/a> Manifeste de mode au Palais Galliera\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.mam.paris.fr\/fr\/expositions\/exposition-sarah-moon\" target=\"_blank\" rel=\"noopener\"><strong>Sarah Moon <\/strong> <\/a>au Mus\u00e9e d\u2019art moderne de la ville de Paris\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><strong>Sarah Sze<\/strong>, De nuit en jour. Fondation Cartier Du 24 octobre 2020 au 30 mai 2021\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><strong><a href=\"https:\/\/www.palaisdetokyo.com\/fr\/evenement\/carte-blanche-anne-imhof\" target=\"_blank\" rel=\"noopener\">Anne Imhof<\/a><\/strong> au <a href=\"https:\/\/naturesmortes-palaisdetokyo.com\/fr\" target=\"_blank\" rel=\"noopener\">Palais de Tokyo<\/a>, jusqu\u2019en octobre 2021\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.christies.com\/en\/auction\/women-in-art-19614-par\/overview\" target=\"_blank\" rel=\"noopener\"><strong>Christie\u2019s<\/strong><\/a> a organis\u00e9 la premi\u00e8re vente aux ench\u00e8res en France d\u00e9di\u00e9e enti\u00e8rement aux femmes artistes, le 16 juin 2021 \u00e0 Paris, un \u00e9v\u00e9nement historique dans le monde de l\u2019art.\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.centrepompidou.fr\/fr\/programme\/agenda\/evenement\/60bdJRm\" target=\"_blank\" rel=\"noopener\"><strong>Georgia O&rsquo;Keeffe<\/strong><\/a> CENTRE GEORGES POMPIDOU <\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">8 septembre \u2013 6 d\u00e9cembre 2021\n<p><\/span><\/li>\n<li><a href=\"https:\/\/www.monnaiedeparis.fr\/fr\/boutique\/livres\/catalogue-exposition-women-house-version-francaise?esl-k=Google%7Cng%7Cc483825312656%7Cmb%7Ck%7Cp%7Ct%7Cdc%7Ca113469479919%7Cg11767241704&amp;gclid=Cj0KCQiA1KiBBhCcARIsAPWqoSqRAI3qRLFKE4wYAcJjgEEioT6yoKYxwdBKkvFBGfmK4CyfgC_4UaIaAj4WEALw_wcB\" target=\"_blank\" rel=\"noopener\"><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><strong>Catalogue Exposition Women House<\/strong> <\/span><\/a><\/li>\n<\/ul>\n<p style=\"padding-left: 30px;\"><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">L\u2019exposition \u00ab\u2009Women House\u2009\u00bb est la rencontre de deux notions : un genre \u2013 le f\u00e9minin \u2013 et un espace \u2013 le domestique. Ce catalogue a \u00e9t\u00e9 publi\u00e9 \u00e0 l\u2019occasion de l\u2019exposition \u00ab\u2009Women House\u2009\u00bb Paris, 11 Conti, 20 octobre 2017 \u2013 28 janvier 2018\/Washington D.C., National Museum of Women in the Arts, 9 mars \u2013 28 mai 2018.<\/p>\n<p><\/span><\/p>\n<ul style=\"list-style-type: square;\">\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><strong>Qui a peur des femmes photographes ?<\/strong> Mus\u00e9e de l\u2019Orangerie<\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.youtube.com\/watch?v=cwhVnBU4JFM\" target=\"_blank\" rel=\"noopener\">https:\/\/www.youtube.com\/watch?v=cwhVnBU4JFM<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.youtube.com\/watch?v=MNqropf6PaM\" target=\"_blank\" rel=\"noopener\">https:\/\/www.youtube.com\/watch?v=MNqropf6PaM<\/a><\/span><\/li>\n<\/ul>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><\/span><\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1638\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/brassempouy.png\" alt=\"puceHida\" width=\"30\" height=\"50\" style=\"vertical-align: middle;\" \/><\/span> <span style=\"font-size: 14pt; color: #800000;\">DOCUMENTAIRES<\/span><\/span><\/p>\n<ul style=\"list-style-type: square;\">\n<li style=\"text-align: justify;\"><strong><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"http:\/\/indifilm.de\/en\/project\/body-of-truth\/\" target=\"_blank\" rel=\"noopener\">Evelyn Schels, Body of truh,<\/a> 2019<\/span><\/strong><br \/><span style=\"font-size: 10pt; font-family: trebuchet ms, geneva;\">Version originale en anglais et allemand avec sous-titres en fran\u00e7ais.<\/span><br \/><span style=\"font-size: 10pt; font-family: trebuchet ms, geneva;\">Body of Truth accompagne quatre artistes, dont le moyen d\u2019expression principal est leur propre corps, dans un voyage fascinant et \u00e9motif \u00e0 travers leurs biographies : La performeuse serbe Marina Abramovi\u0107 s\u2019expose \u00e0 la douleur physique afin d\u2019obtenir de la libert\u00e9 ; l\u2019artiste de vid\u00e9o et d\u2019installation isra\u00e9lienne Sigalit Landau cherche \u00e0 gu\u00e9rir ses l\u00e9sions internes par les moyens de l\u2019art ; l\u2019artiste de photo et de film iranienne Shirin Neshat con\u00e7oit le corps f\u00e9minine \u00e0 la fois comme unit\u00e9 sensuelle et comme espace politique, et, finalement, l\u2019artiste de photo allemande Katharina Sieverding sent les artistes oblig\u00e9es de mettre en question les identit\u00e9s nationales. Il s\u2019agit de quatre histoires de vie empreintes de conflits sociaux, d\u2019exp\u00e9riences personnelles de la guerre, de la violence ainsi que de l\u2019opression.\n<p><\/span><\/li>\n<li><strong><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Evelyn Schels, Georgia O\u2019 Keeffe, une artiste du far west, 2021<\/span><\/strong><br \/><span style=\"font-size: 10pt; font-family: trebuchet ms, geneva;\">Retour sur la trajectoire de la peintre Georgia O&rsquo;Keeffe, incarnation du r\u00eave am\u00e9ricain et d&rsquo;une f\u00e9minit\u00e9 radicalement moderne, qui avait fait du Nouveau-Mexique son paradis.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1638\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/brassempouy.png\" alt=\"puceHida\" width=\"30\" height=\"50\" style=\"vertical-align: middle;\" \/><\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><\/span> <span style=\"font-size: 14pt; color: #800000;\">SITES \/ PODCASTS<\/span><\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><\/span><\/p>\n<ul style=\"list-style-type: square;\">\n<li><strong><a href=\"https:\/\/www.bnf.fr\/fr\/femmes-artistes\" target=\"_blank\" rel=\"noopener\"><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Femmes artistes<br \/><\/span><\/a><\/strong><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><strong><a href=\"https:\/\/awarewomenartists.com\/\" target=\"_blank\" rel=\"noopener\">AWARE<\/a><\/strong><\/span><br \/><span style=\"font-size: 10pt; font-family: trebuchet ms, geneva;\">AWARE : Archives of Women Artists, Research and Exhibitions est une association loi 1901 \u00e0 but non lucratif co-fond\u00e9e en 2014 et dirig\u00e9e par Camille Morineau, conservatrice du Patrimoine, historienne de l\u2019art sp\u00e9cialiste des artistes femmes.<\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><span style=\"font-size: 10pt;\"><em>\u00ab La grande ambition scientifique d\u2019AWARE est de r\u00e9\u00e9crire l\u2019histoire de l\u2019art de mani\u00e8re paritaire. Il est grand temps de replacer les artistes femmes au m\u00eame plan que leurs homologues masculins et de faire conna\u00eetre leurs \u0153uvres. \u00bb<\/em><\/span><br \/><a href=\"https:\/\/awarewomenartists.com\/bibliographie\/\" target=\"_blank\" rel=\"noopener\">Bibliographie<\/a>\n<p><\/span><\/li>\n<\/ul>\n<ul style=\"list-style-type: square;\">\n<li style=\"text-align: justify;\"><strong><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.lematrimoine.fr\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.lematrimoine.fr\/<\/a><\/span><\/strong><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><span style=\"font-size: 10pt;\">Association qui a pour but le rep\u00e9rage des in\u00e9galit\u00e9s entre les femmes et les hommes dans les milieux de l&rsquo;art et de la culture, la mobilisation contre les discriminations observ\u00e9es, la mise en place d\u2019\u00ab actions positives \u00bb et l\u2019\u00e9volution vers l\u2019\u00e9galit\u00e9 r\u00e9elle et la parit\u00e9.<\/span>\n<p><\/span><\/li>\n<li><strong><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.guerrillagirls.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.guerrillagirls.com\/\n<p><\/a><\/span><\/strong><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.youtube.com\/watch?v=cSurVUo3KMc\" target=\"_blank\" rel=\"noopener\"><strong>NaRt : Femmes artistes, artistes f\u00e9ministes<\/strong><\/a><br \/><\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">chaine Youtube NaRt\n<p><\/span><\/li>\n<li><strong><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Emissions France culture ( exemples) :<\/span><\/strong><\/li>\n<\/ul>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.franceculture.fr\/theme\/feminite\">https:\/\/www.franceculture.fr\/theme\/feminite<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Cindy Sherman, Marina Abramovi\u0107, Annette Messager : des repr\u00e9sentations du f\u00e9minin \u00e0 l&rsquo;\u00e9tiquette f\u00e9ministe<\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.franceculture.fr\/photographie\/cindy-sherman-marina-abramovic-annette-messager-des-representations-du-feminin-a-letiquette\">https:\/\/www.franceculture.fr\/photographie\/cindy-sherman-marina-abramovic-annette-messager-des-representations-du-feminin-a-letiquette<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Madonna, parfaite ic\u00f4ne algorithmique6 MIN<\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.franceculture.fr\/emissions\/la-theorie\/la-theorie-du-jeudi-05-mars-2020\">https:\/\/www.franceculture.fr\/emissions\/la-theorie\/la-theorie-du-jeudi-05-mars-2020<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Femme artiste, muse ou g\u00e9nie ?<\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.franceculture.fr\/emissions\/la-grande-table-idees\/femme-artiste-muse-ou-genie\">https:\/\/www.franceculture.fr\/emissions\/la-grande-table-idees\/femme-artiste-muse-ou-genie<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Femmes \u00e0 l&rsquo;\u00e9cran, clich\u00e9s au tournant58 MIN<\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.franceculture.fr\/emissions\/entendez-vous-leco\/entendez-vous-leco-du-mercredi-06-mars-2019\">https:\/\/www.franceculture.fr\/emissions\/entendez-vous-leco\/entendez-vous-leco-du-mercredi-06-mars-2019<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Sand\/Eliot, d\u2019une George \u00e0 l\u2019autre ? Parcours crois\u00e9, celui des deux George \u2026 Sand et Eliot, toutes deux romanci\u00e8res du XIXe si\u00e8cle, mortes \u00e0 quatre ans d\u2019intervalle. Avec Michelle Perrot&#8230;<\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.franceculture.fr\/emissions\/la-grande-table-2eme-partie\/sandeliot-dune-george-a-lautre\">https:\/\/www.franceculture.fr\/emissions\/la-grande-table-2eme-partie\/sandeliot-dune-george-a-lautre<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Gros bras et mascara : f\u00e9minit\u00e9s et identit\u00e9s au prisme de l&rsquo;action.L\u2019h\u00e9ro\u00efne de film d\u2019action est-elle la figure d\u2019une f\u00e9minit\u00e9 moderne et conqu\u00e9rante ou simplement une nouvelle forme de fantasme masculin et masochiste&#8230; <\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.franceculture.fr\/conferences\/gros-bras-et-mascara-feminites-et-identites-au-prisme-de-laction\">https:\/\/www.franceculture.fr\/conferences\/gros-bras-et-mascara-feminites-et-identites-au-prisme-de-laction<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Ces femmes qui \u00e9crivent<\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.franceculture.fr\/emissions\/la-compagnie-des-oeuvres\/artistes-et-ecrivaines-malgre-tout-44-ces-femmes-qui-ecrivent\">https:\/\/www.franceculture.fr\/emissions\/la-compagnie-des-oeuvres\/artistes-et-ecrivaines-malgre-tout-44-ces-femmes-qui-ecrivent<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Musiciennes et compositrices, une histoire en mode mineure<\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.franceculture.fr\/emissions\/la-fabrique-de-lhistoire\/femmes-artistes-14-grand-entretien\">https:\/\/www.franceculture.fr\/emissions\/la-fabrique-de-lhistoire\/femmes-artistes-14-grand-entretien<\/a><\/span><\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Directrices de th\u00e9atre, une autre fa\u00e7on de faire <\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.franceculture.fr\/emissions\/une-saison-au-theatre\/directrices-de-theatre-une-autre-facon-de-faire\">https:\/\/www.franceculture.fr\/emissions\/une-saison-au-theatre\/directrices-de-theatre-une-autre-facon-de-faire<\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1638\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/brassempouy.png\" alt=\"puceHida\" width=\"30\" height=\"50\" style=\"vertical-align: middle;\" \/><\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><\/span> <span style=\"color: #800000; font-size: 14pt;\">OUVRAGES GENERAUX<\/span><\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><\/span><\/p>\n<ul style=\"list-style-type: square;\">\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Alvarez Gonzalez Marta, Les femmes dans l\u2019art, Hazan, 2010\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Amao Damarice, Charlotte Perriand, politique du photomontage, Actes sud, 2021\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Adler Laure et Biollmann Stefan ,Les femmes qui \u00e9crivent vivent dangereusement, Flammarion, 2007\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Adler Laure et Biollmann Stefan , les femmes qui lisent sont dangereuses, Flammarion, 2011\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Adler Laure et Vi\u00e9ville Camille, Les femmes artistes sont dangereuses, Flammarion, 2018\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Bagiau P\u00e9n\u00e9lope, Culott\u00e9es, Gallimard, 2020\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Bouveresse Clara, femmes photographes, Actes dud, 2020\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Buscatto Marie, Femmes du jazz : musiclait\u00e9s, f\u00e9minit\u00e9s, et marginalisations, CNRS \u00e9ditions, 2018\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Desjardins Marie Paule, Dictionnaire biographique des femmes c\u00e9l\u00e8bres et remarquables, Gu\u00e9rin, 2007\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Fouque Antoinette , <a href=\"https:\/\/www.cultura.com\/catalogsearch\/result\/index\/?book_people_author=157115&amp;previous_name=Mireille+Calle-Gruber\" target=\"_blank\" rel=\"noopener\">Calle-Gruber Mireille<\/a> , Didier B\u00e9atrice,Dictionnaire universel des femmes cr\u00e9atrices, 2013<br \/><\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.dictionnaire-creatrices.com\/\">https:\/\/www.dictionnaire-creatrices.com\/<\/a>\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Frigeri Flavia, Artistes femmes, Flammarion,2019\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Gonnard Catherine et Lebovici Elisabeth, Femmes artistes\/ artites femmes, Hazan, 2007<br \/><\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/journals.openedition.org\/clio\/9345\">https:\/\/journals.openedition.org\/clio\/9345<\/a> en PDF\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Gosling Lucinda , Amy Tobyn et Hilary Robinson, L&rsquo;Art du F\u00e9minisme \u00e9ditions Hugo Image, 2019<\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.journaldesfemmes.fr\/loisirs\/livres\/2567680-l-art-du-feminisme-egalite-hommes-femmes-livre\/\">https:\/\/www.journaldesfemmes.fr\/loisirs\/livres\/2567680-l-art-du-feminisme-egalite-hommes-femmes-livre\/<br \/><\/a><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Lebart Luce, et Robert Marie Une histoire mondiale des femmes photographes, Textuel, 2020\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Morineau Camille, Artistes femmes : de 1905 \u00e0 nos jours, Paris, Centre Pompidou, 2010\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Nochlin Linda, Pourquoi n\u2019y a-t-il pas eu de grandes artistes femmes, Thames and Hudson, 1971, red.2021\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Paik Nam June, Olympe de Gouges dans le f\u00e9e \u00e9lectrique, SCEREN CNDP, 2005\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">400 femmes artistes, Phaidon, 2019\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Traversier M\u00e9lanie, et Ramaut Alban, La musique a-t-elle un genre ?, Eds de la Sorbonne, 2019<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-1638\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/brassempouy.png\" alt=\"puceHida\" width=\"30\" height=\"50\" style=\"vertical-align: middle;\" \/><\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><\/span> <span style=\"font-size: 14pt; color: #800000;\">ARTICLES<\/span><\/span><\/p>\n<ul style=\"list-style-type: square;\">\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Arce Charlotte, femmes artistes oubli\u00e9es de l\u2019histoire de l\u2019art, Publi\u00e9 le Jeudi 14 Septembre 2017<\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.terrafemina.com\/article\/9-femmes-artistes-oubliees-de-l-histoire-de-l-art_a334877\/1\">https:\/\/www.terrafemina.com\/article\/9-femmes-artistes-oubliees-de-l-histoire-de-l-art_a334877\/1<\/a>\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Bernard laura, Femmes et fil. Les anti-P\u00e9n\u00e9lope, 2017<br \/><\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/paragone.hypotheses.org\/3546\">https:\/\/paragone.hypotheses.org\/3546<\/a>\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Cacouault-Bitaud Marlaine , Ravet Hyacinthe, \u00ab Les femmes, les arts et la culture, Fronti\u00e8res artistiques, fronti\u00e8res de genre \u00bb, Dans Travail, genre et soci\u00e9t\u00e9s 2008\/1 (N\u00ba 19), <\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.cairn.info\/revue-travail-genre-et-societes-2008-1-page-19.htm\">https:\/\/www.cairn.info\/revue-travail-genre-et-societes-2008-1-page-19.htm<\/a> en PDF\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Dumont Fabienne, Femmes, art et f\u00e9minisme en France dans les ann\u00e9es 1970, avril 2005<\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"http:\/\/sisyphe.org\/article.php3?id_article=1696\">http:\/\/sisyphe.org\/article.php3?id_article=1696<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Cet article se propose de r\u00e9sumer les grandes lignes d\u2019un travail de th\u00e8se intitul\u00e9 Femmes et art dans les ann\u00e9es 1970 &#8211; Douze ans d\u2019art contemporain en France &#8211; Paris, 1970-1982\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Malcourant Elo\u00efse, 7\u00e8me art : Quelle place pour les femmes ?, Femmes plurielles, 31 mai 2018<br \/><\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.femmes-plurielles.be\/7eme-art-quelle-place-pour-les-femmes\/\">https:\/\/www.femmes-plurielles.be\/7eme-art-quelle-place-pour-les-femmes\/<\/a>\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Payen Sophie et Morineau Camille, Quelle place les femmes occupent dans l\u2019art ? Entretien<\/span><br \/><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/aaar.fr\/revue\/article\/place-femmes-occupent-lart\/\">https:\/\/aaar.fr\/revue\/article\/place-femmes-occupent-lart\/\n<p><\/a><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Plant\u00e9 Christine , \u00ab La place des femmes dans l&rsquo;histoire litt\u00e9raire : annexe, ou point de d\u00e9part d&rsquo;une relecture critique ? \u00bbDans Revue d&rsquo;histoire litt\u00e9raire de la France 2003\/3 (Vol. 103)<br \/><\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/hal.archives-ouvertes.fr\/hal-00986581\">https:\/\/hal.archives-ouvertes.fr\/hal-00986581\n<p><\/a><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Servian Claudie, La voix des femmes chor\u00e9graphes am\u00e9ricaines : engagement et revendication du d\u00e9but du XXe si\u00e8cle aux ann\u00e9es cinquante, Universit\u00e9 Grenoble Alpes<br \/><\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"http:\/\/revuemiroirs.fr\/links\/femmes\/volume1\/article7.pdf\">http:\/\/revuemiroirs.fr\/links\/femmes\/volume1\/article7.pdf<\/a> en PDF\n<p><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Sheriff Mary.D , Pour l\u2019histoire des femmes artistes : historiographie, politique et th\u00e9orie, 2017<br \/><\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/journals.openedition.org\/perspective\/7155\">https:\/\/journals.openedition.org\/perspective\/7155\n<p><\/a><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Simon Marie-Ana\u00efs Simon, \u00ab Quand l\u2019art rencontre les luttes f\u00e9ministes \u00bb, Femmes plurielles, 31 mai 2018<br \/><\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"https:\/\/www.femmes-plurielles.be\/quand-lart-rencontre-les-luttes-feministes\/\">https:\/\/www.femmes-plurielles.be\/quand-lart-rencontre-les-luttes-feministes\/\n<p><\/a><\/span><\/li>\n<li><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Tenezakis Eug\u00e9nie, le f\u00e9minisme dans l\u2019art ; \u00e9mancipation de la femme ou stigmatisation ? 2013<br \/><\/span><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"http:\/\/laplumedauphine.fr\/2013\/04\/17\/le-feminisme-dans-lart-emancipation-de-la-femme-ou-stigmatisation\/\">http:\/\/laplumedauphine.fr\/2013\/04\/17\/le-feminisme-dans-lart-emancipation-de-la-femme-ou-stigmatisation\/<\/a><\/span><\/li>\n<\/ul>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><\/span><\/p>\n<p><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\"><a href=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/biblio_art_femmes_site_BNF.pdf\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/biblio_bnf_femmes.jpg\" alt=\"biblio bnf femmes\" width=\"573\" height=\"223\" style=\"display: block; margin-left: auto; margin-right: auto; border: 1px solid #f50000;\" \/><\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p style=\"text-align: right;\"><span style=\"font-size: 12pt; font-family: trebuchet ms, geneva;\">Les IA-IPR Histoire des arts, Acad\u00e9mie de Nice, <em>ao\u00fbt 2021<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>RESSOURCES \u00ab femme(s) f\u00e9minit\u00e9(s) et f\u00e9minisme(s)\u00bb &nbsp; Rappel extrait Bulletin officiel n\u00b026 du 1er juillet 2021 Objets et enjeux de l&rsquo;histoire des arts : femmes, f\u00e9minit\u00e9, f\u00e9minisme Th\u00e8me r\u00e9current dans l&rsquo;art, la figure f\u00e9minine endosse une multitude de statuts au service des \u0153uvres ; muse, image ou symbole, elle est souvent une repr\u00e9sentation fantasm\u00e9e, \u00e9rotis\u00e9e, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1638,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49],"tags":[],"class_list":["post-1641","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hida"],"rttpg_featured_image_url":{"full":["https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/brassempouy.png",30,50,false],"landscape":["https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/brassempouy.png",30,50,false],"portraits":["https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/brassempouy.png",30,50,false],"thumbnail":["https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/brassempouy.png",30,50,false],"medium":["https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/brassempouy.png",30,50,false],"large":["https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/brassempouy.png",30,50,false],"1536x1536":["https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/brassempouy.png",30,50,false],"2048x2048":["https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/brassempouy.png",30,50,false],"advps-thumb-one":["https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-content\/uploads\/sites\/77\/2020\/10\/brassempouy.png",30,50,false]},"rttpg_author":{"display_name":"norco","author_link":"https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/author\/norco\/"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/category\/hida\/\" rel=\"category tag\">HiDA<\/a>","rttpg_excerpt":"RESSOURCES \u00ab femme(s) f\u00e9minit\u00e9(s) et f\u00e9minisme(s)\u00bb &nbsp; Rappel extrait Bulletin officiel n\u00b026 du 1er juillet 2021 Objets et enjeux de l&rsquo;histoire des arts : femmes, f\u00e9minit\u00e9, f\u00e9minisme Th\u00e8me r\u00e9current dans l&rsquo;art, la figure f\u00e9minine endosse une multitude de statuts au service des \u0153uvres ; muse, image ou symbole, elle est souvent une repr\u00e9sentation fantasm\u00e9e, \u00e9rotis\u00e9e,\u2026","post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-json\/wp\/v2\/posts\/1641","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-json\/wp\/v2\/comments?post=1641"}],"version-history":[{"count":0,"href":"https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-json\/wp\/v2\/posts\/1641\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-json\/wp\/v2\/media\/1638"}],"wp:attachment":[{"href":"https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-json\/wp\/v2\/media?parent=1641"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-json\/wp\/v2\/categories?post=1641"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pedagogie.ac-nice.fr\/histoire-geographie\/wp-json\/wp\/v2\/tags?post=1641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}