{"id":3493,"date":"2025-11-06T18:00:01","date_gmt":"2025-11-06T17:00:01","guid":{"rendered":"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/?p=3493"},"modified":"2025-11-06T18:01:40","modified_gmt":"2025-11-06T17:01:40","slug":"lire-et-interpreter-une-oeuvre-numerique-phallaina-un-recit-multimodal-et-immersif-pour-explorer-la-lecture-autrement","status":"publish","type":"post","link":"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/lire-et-interpreter-une-oeuvre-numerique-phallaina-un-recit-multimodal-et-immersif-pour-explorer-la-lecture-autrement\/","title":{"rendered":"Lire et interpr\u00e9ter une \u0153uvre num\u00e9rique :\u00a0Phallaina, un r\u00e9cit multimodal et immersif pour explorer la lecture autrement -mars 2025- Fiche r\u00e9f\u00e9renc\u00e9e sur Edubase : 23899"},"content":{"rendered":"<p class=\"part\" data-startline=\"3\" data-endline=\"3\"><img decoding=\"async\" class=\"md-image md-image\" src=\"https:\/\/minio.apps.education.fr\/codimd-prod\/uploads\/gbmaamc2lsa3sgnnxzipl99qq.jpg\" alt=\"\"><\/p>\n<p class=\"part\" data-startline=\"5\" data-endline=\"5\">Nathalie Perez, professeure de lettres modernes au lyc\u00e9e Beaussier<\/p>\n<hr>\n<h2 id=\"Niveau--Discipline\" class=\"part\" data-startline=\"9\" data-endline=\"9\"><i class=\"fa fa-link\"><\/i><strong>Niveau \/ Discipline<\/strong><\/h2>\n<p class=\"part\" data-startline=\"11\" data-endline=\"11\">Lyc\u00e9e (2de) \u2013 Fran\u00e7ais<\/p>\n<hr>\n<h2 id=\"Entr\u00e9e-du-programme\" class=\"part\" data-startline=\"15\" data-endline=\"15\"><i class=\"fa fa-link\"><\/i><strong>Entr\u00e9e du programme<\/strong><\/h2>\n<p class=\"part\" data-startline=\"17\" data-endline=\"17\"><strong>Le roman et le r\u00e9cit du XVIIIe au XXIe si\u00e8cle : le personnage, ses transformations et ses qu\u00eates<\/strong><\/p>\n<hr>\n<h2 id=\"Probl\u00e9matique\" class=\"part\" data-startline=\"21\" data-endline=\"21\"><i class=\"fa fa-link\"><\/i><strong>Probl\u00e9matique<\/strong><\/h2>\n<p class=\"part\" data-startline=\"23\" data-endline=\"24\"><strong>Comment une \u0153uvre num\u00e9rique, par sa multimodalit\u00e9 (texte, image, son), renouvelle-t-elle la lecture, la compr\u00e9hension et l\u2019interpr\u00e9tation d\u2019un r\u00e9cit litt\u00e9raire ?<\/strong><br \/>\n<strong>En quoi l\u2019\u00e9tude d\u2019une \u0153uvre num\u00e9rique multimodale permet-elle de repenser les pratiques de lecture et d\u2019interpr\u00e9tation en classe de lettres ?<\/strong><\/p>\n<hr>\n<h2 id=\"Objectifs\" class=\"part\" data-startline=\"28\" data-endline=\"28\"><i class=\"fa fa-link\"><\/i><strong>Objectifs<\/strong><\/h2>\n<ul class=\"part\" data-startline=\"30\" data-endline=\"35\">\n<li class=\"\" data-startline=\"30\" data-endline=\"30\">Faire d\u00e9couvrir aux \u00e9l\u00e8ves une&nbsp;<strong>\u0153uvre litt\u00e9raire num\u00e9rique<\/strong>.<\/li>\n<li class=\"\" data-startline=\"31\" data-endline=\"31\">Comprendre comment la&nbsp;<strong>multimodalit\u00e9<\/strong>&nbsp;(texte, image, son) transforme la narration et l\u2019exp\u00e9rience de lecture.<\/li>\n<li class=\"\" data-startline=\"32\" data-endline=\"32\">Amener les \u00e9l\u00e8ves \u00e0 adopter une&nbsp;<strong>posture de lecteur-acteur<\/strong>, capable d\u2019interpr\u00e9ter, de d\u00e9battre et de cr\u00e9er.<\/li>\n<li class=\"\" data-startline=\"33\" data-endline=\"33\">Favoriser l\u2019<strong>implication et l\u2019inclusion<\/strong>&nbsp;de tous les \u00e9l\u00e8ves, notamment des lecteurs fragiles, gr\u00e2ce \u00e0 la lecture immersive et collaborative.<\/li>\n<li class=\"\" data-startline=\"34\" data-endline=\"35\">D\u00e9velopper la&nbsp;<strong>lecture analytique<\/strong>, l\u2019<strong>\u00e9criture r\u00e9flexive<\/strong>&nbsp;et la&nbsp;<strong>prise de parole argument\u00e9e<\/strong>&nbsp;dans un environnement num\u00e9rique.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"Description-du-sc\u00e9nario-p\u00e9dagogique\" class=\"part\" data-startline=\"38\" data-endline=\"38\"><i class=\"fa fa-link\"><\/i><strong>Description du sc\u00e9nario p\u00e9dagogique<\/strong><\/h2>\n<h3 id=\"Contexte\" class=\"part\" data-startline=\"40\" data-endline=\"40\"><i class=\"fa fa-link\"><\/i><strong>Contexte<\/strong><\/h3>\n<p class=\"part\" data-startline=\"42\" data-endline=\"43\">Cette s\u00e9quence, men\u00e9e apr\u00e8s&nbsp;<em>Le Vieux qui lisait des romans d\u2019amour<\/em>&nbsp;(Sep\u00falveda) et avant&nbsp;<em>Candide<\/em>&nbsp;(Voltaire), propose l\u2019\u00e9tude de&nbsp;<em>Phallaina<\/em> (Marietta Ren, Small Bang, 2016), une&nbsp;<strong>bande d\u00e9fil\u00e9e num\u00e9rique<\/strong>&nbsp;m\u00ealant texte, image et bande sonore.<br \/>\nElle permet de questionner la transformation des&nbsp;<strong>modes de lecture et d\u2019interpr\u00e9tation<\/strong>&nbsp;\u00e0 l\u2019\u00e8re du num\u00e9rique, \u00e0 travers une \u0153uvre immersive et sensible.<\/p>\n<hr>\n<h2 id=\"D\u00e9roulement-de-la-s\u00e9quence-7-s\u00e9ances\" class=\"part\" data-startline=\"47\" data-endline=\"47\"><i class=\"fa fa-link\"><\/i><strong>D\u00e9roulement de la s\u00e9quence (7 s\u00e9ances)<\/strong><\/h2>\n<h3 id=\"S\u00e9ance-1-\u2013-Introduction--les-formes-du-r\u00e9cit-multimodal-2h\" class=\"part\" data-startline=\"49\" data-endline=\"49\"><i class=\"fa fa-link\"><\/i><strong>S\u00e9ance 1 \u2013 Introduction : les formes du r\u00e9cit multimodal (2h)<\/strong><\/h3>\n<p class=\"part\" data-startline=\"51\" data-endline=\"52\"><strong>Objectif :<\/strong>&nbsp;d\u00e9couvrir le format num\u00e9rique et situer&nbsp;<em>Phallaina<\/em>&nbsp;parmi d\u2019autres formes artistiques.<br \/>\n<strong>Activit\u00e9s :<\/strong><\/p>\n<ul class=\"part\" data-startline=\"54\" data-endline=\"58\">\n<li class=\"\" data-startline=\"54\" data-endline=\"54\">Comparaison entre BD, fresque m\u00e9di\u00e9vale (Tapisserie de Bayeux) et film d\u2019animation (<em>Nausica\u00e4<\/em>&nbsp;de Miyazaki).<\/li>\n<li class=\"\" data-startline=\"55\" data-endline=\"55\">Recherche sur le mythe de Nausicaa et lecture d\u2019un extrait de l\u2019<em>Odyss\u00e9e<\/em>.<\/li>\n<li class=\"\" data-startline=\"56\" data-endline=\"58\">\u00c9criture d\u2019anticipation : imaginer la suite du r\u00e9cit \u00e0 partir du titre et du d\u00e9but de la BD.<br \/>\n<img decoding=\"async\" class=\"md-image md-image\" src=\"https:\/\/minio.apps.education.fr\/codimd-prod\/uploads\/ncovewnowlj9bcp10n989m68o.jpg\" alt=\"\"><\/li>\n<\/ul>\n<hr>\n<h3 id=\"S\u00e9ance-2-\u2013-Entrer-dans-l\u2019\u0153uvre--premi\u00e8res-impressions-et-lecture-multimodale-2h\" class=\"part\" data-startline=\"61\" data-endline=\"61\"><i class=\"fa fa-link\"><\/i><strong>S\u00e9ance 2 \u2013 Entrer dans l\u2019\u0153uvre : premi\u00e8res impressions et lecture multimodale (2h)<\/strong><\/h3>\n<p class=\"part\" data-startline=\"63\" data-endline=\"64\"><strong>Objectif :<\/strong>&nbsp;analyser les sp\u00e9cificit\u00e9s de la bande d\u00e9fil\u00e9e et la r\u00e9ception sensorielle.<br \/>\n<strong>Activit\u00e9s :<\/strong><\/p>\n<ul class=\"part\" data-startline=\"66\" data-endline=\"72\">\n<li class=\"\" data-startline=\"66\" data-endline=\"66\">Lecture du premier \u00e9pisode de&nbsp;<em>Phallaina<\/em>&nbsp;sur tablette.<\/li>\n<li class=\"\" data-startline=\"67\" data-endline=\"67\">Expression des ressentis \u00e0 chaud (nuage de mots collaboratif).<\/li>\n<li class=\"\" data-startline=\"68\" data-endline=\"68\">Analyse des effets du son, du rythme et du d\u00e9filement.<\/li>\n<li class=\"\" data-startline=\"69\" data-endline=\"69\">\u00c9tymologie du mot&nbsp;<em>Phallaina<\/em>&nbsp;et interpr\u00e9tations possibles.<\/li>\n<li class=\"\" data-startline=\"70\" data-endline=\"72\">\u00c9criture : imaginer la suite du r\u00e9cit sous forme de carte mentale \u00e0 embranchements.<br \/>\n<img decoding=\"async\" class=\"md-image md-image\" src=\"https:\/\/minio.apps.education.fr\/codimd-prod\/uploads\/jsngvtpuoavyvewv9prvpnq27.jpg\" alt=\"\"><\/li>\n<\/ul>\n<hr>\n<h3 id=\"S\u00e9ance-3-\u2013-Un-parcours-initiatique-et-symbolique-2h\" class=\"part\" data-startline=\"75\" data-endline=\"75\"><i class=\"fa fa-link\"><\/i><strong>S\u00e9ance 3 \u2013 Un parcours initiatique et symbolique (2h)<\/strong><\/h3>\n<p class=\"part\" data-startline=\"77\" data-endline=\"78\"><strong>Objectif :<\/strong>&nbsp;comprendre le parcours d\u2019Audrey, h\u00e9ro\u00efne en qu\u00eate d\u2019identit\u00e9.<br \/>\n<strong>Activit\u00e9s :<\/strong><\/p>\n<ul class=\"part\" data-startline=\"80\" data-endline=\"84\">\n<li class=\"\" data-startline=\"80\" data-endline=\"80\">Retracer l\u2019\u00e9volution d\u2019Audrey dans le r\u00e9cit.<\/li>\n<li class=\"\" data-startline=\"81\" data-endline=\"81\">Identifier les \u00e9tapes de sa m\u00e9tamorphose et ses dilemmes int\u00e9rieurs.<\/li>\n<li class=\"\" data-startline=\"82\" data-endline=\"84\">Mise en commun : \u00ab Audrey, une h\u00e9ro\u00efne tragique ou une \u00e9lue ? \u00bb<br \/>\n<img decoding=\"async\" class=\"md-image md-image\" src=\"https:\/\/minio.apps.education.fr\/codimd-prod\/uploads\/e6zsms28hfjaiuzogq0t5a0a6.png\" alt=\"\"><\/li>\n<\/ul>\n<hr>\n<h3 id=\"S\u00e9ance-4-\u2013-Figures-de-la-m\u00e9tamorphose-2h\" class=\"part\" data-startline=\"87\" data-endline=\"87\"><i class=\"fa fa-link\"><\/i><strong>S\u00e9ance 4 \u2013 Figures de la m\u00e9tamorphose (2h)<\/strong><\/h3>\n<p class=\"part\" data-startline=\"89\" data-endline=\"90\"><strong>Objectif :<\/strong>&nbsp;comparer&nbsp;<em>Phallaina<\/em>&nbsp;\u00e0 d\u2019autres r\u00e9cits de transformation.<br \/>\n<strong>Activit\u00e9s :<\/strong><\/p>\n<ul class=\"part\" data-startline=\"92\" data-endline=\"96\">\n<li class=\"\" data-startline=\"92\" data-endline=\"92\">\u00c9tude du topos de la m\u00e9tamorphose : identit\u00e9, alt\u00e9rit\u00e9, libert\u00e9, destin.<\/li>\n<li class=\"\" data-startline=\"93\" data-endline=\"93\">Comparaison avec Daphn\u00e9 et Scylla (<em>Les M\u00e9tamorphoses<\/em>&nbsp;d\u2019Ovide) et&nbsp;<em>La Petite Sir\u00e8ne<\/em>&nbsp;(Andersen).<\/li>\n<li class=\"\" data-startline=\"94\" data-endline=\"96\">Tableau comparatif : nature de la transformation, lien \u00e0 l\u2019eau, fin du r\u00e9cit.<br \/>\n<img decoding=\"async\" class=\"md-image md-image\" src=\"https:\/\/minio.apps.education.fr\/codimd-prod\/uploads\/c916isw85p8dohhiw33uco6sd.jpg\" alt=\"\"><\/li>\n<\/ul>\n<hr>\n<h3 id=\"S\u00e9ance-5-\u2013-D\u00e9bat-interpr\u00e9tatif--libert\u00e9-ou-contrainte--1h\" class=\"part\" data-startline=\"99\" data-endline=\"99\"><i class=\"fa fa-link\"><\/i><strong>S\u00e9ance 5 \u2013 D\u00e9bat interpr\u00e9tatif : libert\u00e9 ou contrainte ? (1h)<\/strong><\/h3>\n<p class=\"part\" data-startline=\"101\" data-endline=\"102\"><strong>Objectif :<\/strong>&nbsp;argumenter \u00e0 partir du parcours d\u2019Audrey.<br \/>\n<strong>Activit\u00e9s :<\/strong><\/p>\n<ul class=\"part\" data-startline=\"104\" data-endline=\"111\">\n<li class=\"\" data-startline=\"104\" data-endline=\"107\">D\u00e9bat et \u00e9crit argumentatif : la transformation d\u2019Audrey est-elle subie ou choisie ?<br \/>\n<img decoding=\"async\" class=\"md-image md-image\" src=\"https:\/\/minio.apps.education.fr\/codimd-prod\/uploads\/elfbltsai422wde4t30yzd8ui.jpg\" alt=\"\"><\/li>\n<li class=\"\" data-startline=\"108\" data-endline=\"111\">\u00c9criture : journal intime d\u2019Audrey face \u00e0 sa m\u00e9tamorphose.<br \/>\n<img decoding=\"async\" class=\"md-image md-image\" src=\"https:\/\/minio.apps.education.fr\/codimd-prod\/uploads\/kvbh99ohm0c1f36bng92aqaxm.jpg\" alt=\"\"><\/li>\n<\/ul>\n<hr>\n<h3 id=\"S\u00e9ance-6-\u2013-Comprendre-le-d\u00e9nouement-2h\" class=\"part\" data-startline=\"114\" data-endline=\"114\"><i class=\"fa fa-link\"><\/i><strong>S\u00e9ance 6 \u2013 Comprendre le d\u00e9nouement (2h)<\/strong><\/h3>\n<p class=\"part\" data-startline=\"116\" data-endline=\"117\"><strong>Objectif :<\/strong>&nbsp;interpr\u00e9ter la fin ouverte du r\u00e9cit.<br \/>\n<strong>Activit\u00e9s :<\/strong><\/p>\n<ul class=\"part\" data-startline=\"119\" data-endline=\"122\">\n<li class=\"\" data-startline=\"119\" data-endline=\"119\">Lecture et d\u00e9bat : fuite, renaissance ou lib\u00e9ration ?<\/li>\n<li class=\"\" data-startline=\"120\" data-endline=\"120\">R\u00e9\u00e9criture : imaginer une fin alternative.<\/li>\n<li class=\"\" data-startline=\"121\" data-endline=\"122\">Mise en perspective : comparaisons avec&nbsp;<em>Candide<\/em>&nbsp;ou&nbsp;<em>L\u2019\u00c9tranger<\/em>.<\/li>\n<\/ul>\n<hr>\n<h3 id=\"S\u00e9ance-7-\u2013-\u00c9valuation-finale--Phallaina-une-\u0153uvre-hybride-3h\" class=\"part\" data-startline=\"125\" data-endline=\"125\"><i class=\"fa fa-link\"><\/i><strong>S\u00e9ance 7 \u2013 \u00c9valuation finale : Phallaina, une \u0153uvre hybride (3h)<\/strong><\/h3>\n<p class=\"part\" data-startline=\"127\" data-endline=\"128\"><strong>Objectif :<\/strong>&nbsp;\u00e9valuer la compr\u00e9hension et la capacit\u00e9 \u00e0 argumenter.<br \/>\n<strong>Activit\u00e9s :<\/strong><\/p>\n<ul class=\"part\" data-startline=\"130\" data-endline=\"133\">\n<li class=\"\" data-startline=\"130\" data-endline=\"130\">Comparaison avec une autre \u0153uvre visuelle ou filmique.<\/li>\n<li class=\"\" data-startline=\"131\" data-endline=\"131\">Tableau comparatif (narration, symboles, ambiance sonore).<\/li>\n<li class=\"\" data-startline=\"132\" data-endline=\"133\">Devoir argumentatif :&nbsp;<em>Phallaina<\/em>&nbsp;est-elle une BD, un film ou un nouveau type de r\u00e9cit ?<\/li>\n<\/ul>\n<p class=\"part\" data-startline=\"134\" data-endline=\"135\"><img decoding=\"async\" class=\"md-image md-image\" src=\"https:\/\/minio.apps.education.fr\/codimd-prod\/uploads\/cn1su6tgo2s4zumt47oafmstw.jpg\" alt=\"\"><br \/>\n<img decoding=\"async\" class=\"md-image md-image\" src=\"https:\/\/minio.apps.education.fr\/codimd-prod\/uploads\/rw3u0uogdle16qancf3wplydb.jpg\" alt=\"\"><\/p>\n<p class=\"part\" data-startline=\"137\" data-endline=\"137\"><img decoding=\"async\" class=\"md-image md-image\" src=\"https:\/\/minio.apps.education.fr\/codimd-prod\/uploads\/hjfdqk06eos5dd40vjzhx745a.jpg\" alt=\"\"><\/p>\n<p class=\"part\" data-startline=\"139\" data-endline=\"139\">\ud83d\udd0a&nbsp;<a href=\"https:\/\/https\/\/nuage03.apps.education.fr\/index.php\/s\/w9YziY5RTZfkCKX\" target=\"_blank\" rel=\"noopener\">Commentaire audio d\u2019un \u00e9l\u00e8ve<\/a><\/p>\n<hr>\n<h2 id=\"\ud83d\udfe9-Usages-du-num\u00e9rique\" class=\"part\" data-startline=\"144\" data-endline=\"144\"><i class=\"fa fa-link\"><\/i>\ud83d\udfe9&nbsp;<strong>Usages du num\u00e9rique<\/strong><\/h2>\n<ul class=\"part\" data-startline=\"146\" data-endline=\"150\">\n<li class=\"\" data-startline=\"146\" data-endline=\"146\">Lecture d\u2019une&nbsp;<strong>\u0153uvre native num\u00e9rique<\/strong>&nbsp;(<em>Phallaina<\/em>, Small Bang).<\/li>\n<li class=\"\" data-startline=\"147\" data-endline=\"147\">Utilisation de&nbsp;<strong>tablettes<\/strong>&nbsp;pour une lecture multimodale et immersive.<\/li>\n<li class=\"\" data-startline=\"148\" data-endline=\"150\"><strong>Outils collaboratifs<\/strong>&nbsp;: Outil collaboratif privil\u00e9gi\u00e9 : Pearltrees \u2013 utilis\u00e9 comme espace num\u00e9rique partag\u00e9 pour d\u00e9poser les ressources, les activit\u00e9s (nuages de mots, cartes mentales, \u00e9crits d\u2019appropriation)et regrouper les travaux de groupe des \u00e9l\u00e8ves.<br \/>\nCet environnement favorise \u00e0 la fois le travail collaboratif et le d\u00e9veloppement de l\u2019autonomie, en permettant aux \u00e9l\u00e8ves d\u2019acc\u00e9der aux supports, d\u2019\u00e9changer leurs productions et de construire collectivement le sens de l\u2019\u0153uvre.<\/li>\n<\/ul>\n<p class=\"part\" data-startline=\"151\" data-endline=\"151\"><img decoding=\"async\" class=\"md-image md-image\" src=\"https:\/\/minio.apps.education.fr\/codimd-prod\/uploads\/a8b22h03dg5astbkmc00u8l17.png\" alt=\"\"><\/p>\n<hr>\n<h2 id=\"Comp\u00e9tences-travaill\u00e9es\" class=\"part\" data-startline=\"155\" data-endline=\"155\"><i class=\"fa fa-link\"><\/i><strong>Comp\u00e9tences travaill\u00e9es<\/strong><\/h2>\n<ul class=\"part\" data-startline=\"157\" data-endline=\"162\">\n<li class=\"\" data-startline=\"157\" data-endline=\"157\">Lire, comprendre et interpr\u00e9ter une \u0153uvre multimodale.<\/li>\n<li class=\"\" data-startline=\"158\" data-endline=\"158\">Identifier les effets du son, du rythme et de l\u2019image sur la narration.<\/li>\n<li class=\"\" data-startline=\"159\" data-endline=\"159\">Argumenter \u00e0 l\u2019oral et \u00e0 l\u2019\u00e9crit.<\/li>\n<li class=\"\" data-startline=\"160\" data-endline=\"160\">Exprimer une lecture personnelle (journal, d\u00e9bat, r\u00e9\u00e9criture).<\/li>\n<li class=\"\" data-startline=\"161\" data-endline=\"162\">Travailler en autonomie et en collaboration dans un environnement num\u00e9rique.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"Int\u00e9r\u00eat-p\u00e9dagogique\" class=\"part\" data-startline=\"165\" data-endline=\"165\"><i class=\"fa fa-link\"><\/i><strong>Int\u00e9r\u00eat p\u00e9dagogique<\/strong><\/h2>\n<ul class=\"part\" data-startline=\"167\" data-endline=\"172\">\n<li class=\"\" data-startline=\"167\" data-endline=\"167\">Permet d\u2019aborder la litt\u00e9rature contemporaine sous un angle&nbsp;<strong>innovant et accessible<\/strong>.<\/li>\n<li class=\"\" data-startline=\"168\" data-endline=\"168\">Met en avant la&nbsp;<strong>r\u00e9ception sensible et r\u00e9flexive<\/strong>&nbsp;du lecteur.<\/li>\n<li class=\"\" data-startline=\"169\" data-endline=\"169\">Favorise l\u2019<strong>implication des \u00e9l\u00e8ves<\/strong>, notamment des lecteurs fragiles, gr\u00e2ce \u00e0 la lecture sonore, visuelle et progressive.<\/li>\n<li class=\"\" data-startline=\"170\" data-endline=\"170\">Encourage la&nbsp;<strong>collaboration, l\u2019argumentation et la cr\u00e9ativit\u00e9<\/strong>.<\/li>\n<li class=\"\" data-startline=\"171\" data-endline=\"172\">Offre \u00e0 l\u2019enseignant une&nbsp;<strong>posture de m\u00e9diation<\/strong>&nbsp;centr\u00e9e sur la construction collective du sens.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"Effets-sur-les-\u00e9l\u00e8ves\" class=\"part\" data-startline=\"175\" data-endline=\"175\"><i class=\"fa fa-link\"><\/i><strong>Effets sur les \u00e9l\u00e8ves<\/strong><\/h2>\n<ul class=\"part\" data-startline=\"177\" data-endline=\"181\">\n<li class=\"\" data-startline=\"177\" data-endline=\"177\">Les \u00e9l\u00e8ves deviennent&nbsp;<strong>lecteurs-acteurs et scripteurs<\/strong>, investis dans l\u2019interpr\u00e9tation du r\u00e9cit.<\/li>\n<li class=\"\" data-startline=\"178\" data-endline=\"178\">Les&nbsp;<strong>lecteurs en difficult\u00e9<\/strong>&nbsp;trouvent dans la multimodalit\u00e9 un&nbsp;<strong>acc\u00e8s facilit\u00e9 au sens<\/strong>.<\/li>\n<li class=\"\" data-startline=\"179\" data-endline=\"179\">D\u00e9veloppement de l\u2019<strong>autonomie<\/strong>, de la&nbsp;<strong>collaboration<\/strong>&nbsp;et de la&nbsp;<strong>prise de parole argument\u00e9e<\/strong>.<\/li>\n<li class=\"\" data-startline=\"180\" data-endline=\"181\">Lecture v\u00e9cue comme&nbsp;<strong>exp\u00e9rience immersive, \u00e9motionnelle et partag\u00e9e<\/strong>.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"Valeur-ajout\u00e9e-et-caract\u00e8re-innovant\" class=\"part\" data-startline=\"184\" data-endline=\"184\"><i class=\"fa fa-link\"><\/i><strong>Valeur ajout\u00e9e et caract\u00e8re innovant<\/strong><\/h2>\n<p class=\"part\" data-startline=\"186\" data-endline=\"187\">Ce sc\u00e9nario propose une&nbsp;<strong>exp\u00e9rience de lecture augment\u00e9e<\/strong>, qui transforme la relation des \u00e9l\u00e8ves au texte et \u00e0 la litt\u00e9rature.<br \/>\nL\u2019innovation repose sur :<\/p>\n<ul class=\"part\" data-startline=\"189\" data-endline=\"195\">\n<li class=\"\" data-startline=\"189\" data-endline=\"189\">l\u2019\u00e9tude d\u2019une&nbsp;<strong>\u0153uvre num\u00e9rique<\/strong>, conjuguant litt\u00e9rature, art visuel et narration sonore ;<\/li>\n<li class=\"\" data-startline=\"190\" data-endline=\"190\">une&nbsp;<strong>d\u00e9marche interm\u00e9diatique<\/strong>&nbsp;(lien entre mythe, fresque, film et r\u00e9cit) ;<\/li>\n<li class=\"\" data-startline=\"191\" data-endline=\"191\">l\u2019<strong>implication forte des \u00e9l\u00e8ves<\/strong>,y compris ceux en grande difficult\u00e9, qui deviennent acteurs dans la co-construction du sens ;<\/li>\n<li class=\"\" data-startline=\"192\" data-endline=\"192\">une&nbsp;<strong>lecture inclusive<\/strong>, o\u00f9 les supports visuels et sonores soutiennent les lecteurs fragiles ;<\/li>\n<li class=\"\" data-startline=\"193\" data-endline=\"193\">la&nbsp;<strong>prise en main raisonn\u00e9e du num\u00e9rique<\/strong>, au service de la compr\u00e9hension, de la collaboration et de la r\u00e9flexion critique ;<\/li>\n<li class=\"\" data-startline=\"194\" data-endline=\"195\">et une&nbsp;<strong>r\u00e9flexion sur les pratiques de lecture \u00e0 l\u2019\u00e8re num\u00e9rique<\/strong>, qui redonne toute sa place au plaisir de lire, d\u2019\u00e9couter et de comprendre ensemble.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"Ressources-et-mat\u00e9riel\" class=\"part\" data-startline=\"198\" data-endline=\"198\"><i class=\"fa fa-link\"><\/i><strong>Ressources et mat\u00e9riel<\/strong><\/h2>\n<ul class=\"part\" data-startline=\"200\" data-endline=\"206\">\n<li class=\"\" data-startline=\"200\" data-endline=\"200\">Application&nbsp;<em>Phallaina<\/em> (Small Bang, http:\/\/smallbang.fr\/phallaina.html )<\/li>\n<li class=\"\" data-startline=\"201\" data-endline=\"201\">Tablettes (ou ordinateurs)<\/li>\n<li class=\"\" data-startline=\"202\" data-endline=\"202\">Mur et nuage de mots collaboratifs (La Digitale)<\/li>\n<li class=\"\" data-startline=\"203\" data-endline=\"203\">Ressources Educ\u2019ARTE : mythologie, m\u00e9tamorphose, r\u00e9cits initiatiques<\/li>\n<li class=\"\" data-startline=\"204\" data-endline=\"204\">Dictionnaire de l\u2019Acad\u00e9mie fran\u00e7aise en ligne<\/li>\n<li class=\"\" data-startline=\"205\" data-endline=\"206\">Site du mus\u00e9e de Bayeux : fresques narratives<\/li>\n<\/ul>\n<h2 id=\"Bibliographie\" class=\"part\" data-startline=\"207\" data-endline=\"207\"><i class=\"fa fa-link\"><\/i><strong>Bibliographie<\/strong><\/h2>\n<p class=\"part\" data-startline=\"208\" data-endline=\"211\">Bouchardon, S.(2011).<em>Des figures de manipulation dans la cr\u00e9ation num\u00e9rique<\/em>.Prot\u00e9e,39 (1), 37-46.&nbsp;<a href=\"https:\/\/doi.org\/10.7202\/1006725ar\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.7202\/1006725ar<\/a><br \/>\nBrunel, M., Acerra E. &amp; Lacelle, N. (2022).&nbsp;<em>D\u00e9velopper la litt\u00e9ratie num\u00e9rique par l\u2019enseignement de la litt\u00e9rature num\u00e9rique<\/em>, R\u00e9sultats d\u2019une enqu\u00eate exploratoire, 9e Colloque international en \u00e9ducation, CRIFPE, 12-14 avril 2022.<br \/>\nBrunel, Magali, Fran\u00e7ois Quet, et Massol Jean-Fran\u00e7ois. Brunel, Magali, Fran\u00e7ois Quet, et Massol Jean-Fran\u00e7ois.&nbsp;<em>L\u2019enseignement de la litt\u00e9rature avec le num\u00e9rique<\/em>. Bruxelles [etc: PIE-Peter Lang, 2<strong>018. Print.<\/strong><br \/>\n<strong><em>Param\u00e8tres descriptifs et figures de style des \u0153uvres litt\u00e9raires num\u00e9riques pour la jeunesse<\/em>&nbsp;| La lettre de l\u2019AIRDF, 68. AIRDF, p. 18-22<\/strong><\/p>\n<hr>\n<p data-startline=\"208\" data-endline=\"211\"><strong>Cet article s\u2019inscrit dans la continuit\u00e9 du travail men\u00e9 au sein du Groupe Num\u00e9rique Disciplinaire Lettres de l\u2019acad\u00e9mie de Nice autour de l\u2019exp\u00e9rimentation de <em>Phallaina<\/em>, sous la responsabilit\u00e9 de l\u2019IPR-IA de Lettres S\u00e9bastien H\u00e9bert et de Magali Brunel, enseignante-chercheuse en didactique des lettres. (voir l\u2019article : <a href=\"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/lire-une-oeuvre-numerique-integrale-en-classe-et-si-lon-redonnait-la-parole-aux-lecteurs\/\">\u00ab Lire une \u0153uvre num\u00e9rique int\u00e9grale en classe\u2026 \u00bb<\/a>, GND Lettres, acad\u00e9mie de Nice, 2025).<\/strong><\/p>\n<p data-startline=\"208\" data-endline=\"211\">&nbsp;<\/p>\n<p data-startline=\"208\" data-endline=\"211\"><span style=\"font-size: 14pt;\"><strong>Fiche r\u00e9f\u00e9renc\u00e9e sur Edubase : <a href=\"https:\/\/edubase.eduscol.education.fr\/fiche\/23899\">https:\/\/edubase.eduscol.education.fr\/fiche\/23899<\/a><\/strong><\/span><\/p>\n<p data-startline=\"208\" data-endline=\"211\">&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nathalie Perez, professeure de lettres modernes au lyc\u00e9e Beaussier Niveau \/ Discipline Lyc\u00e9e (2de) \u2013 Fran\u00e7ais Entr\u00e9e du programme Le roman et le r\u00e9cit du XVIIIe au XXIe si\u00e8cle : le personnage, ses transformations et ses qu\u00eates Probl\u00e9matique Comment une \u0153uvre num\u00e9rique, par sa multimodalit\u00e9 (texte, image, son), renouvelle-t-elle la lecture, la compr\u00e9hension et l\u2019interpr\u00e9tation [&hellip;]<\/p>\n","protected":false},"author":209,"featured_media":3494,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[142,195],"tags":[],"class_list":["post-3493","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-experimenter-le-numerique-lire-ecrire-enseigner-autrement","et-has-post-format-content","et_post_format-et-post-format-standard"],"rttpg_featured_image_url":{"full":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1.jpg",1161,671,false],"landscape":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1.jpg",1161,671,false],"portraits":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1.jpg",1161,671,false],"thumbnail":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1-150x150.jpg",150,150,true],"medium":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1-300x173.jpg",300,173,true],"large":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1-980x566.jpg",980,566,true],"1536x1536":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1.jpg",1161,671,false],"2048x2048":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1.jpg",1161,671,false],"et-builder-post-main-image":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1-400x250.jpg",400,250,true],"et-builder-post-main-image-fullwidth":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1-1080x671.jpg",1080,671,true],"et-builder-portfolio-image":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1-400x284.jpg",400,284,true],"et-builder-portfolio-image-single":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1-1080x624.jpg",1080,624,true],"et-builder-gallery-image-portrait":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1-400x516.jpg",400,516,true],"extra-image-huge":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1.jpg",1161,671,false],"extra-image-single-post":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1-1161x640.jpg",1161,640,true],"extra-image-medium":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1-627x376.jpg",627,376,true],"extra-image-small":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1-440x264.jpg",440,264,true],"extra-image-square-medium":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1-440x440.jpg",440,440,true],"extra-image-square-small":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1-150x150.jpg",150,150,true],"advps-thumb-one":["https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-content\/uploads\/sites\/15\/2025\/10\/Capture-decran-2025-10-13-215400-1-600x220.jpg",600,220,true]},"rttpg_author":{"display_name":"IAN Lettres","author_link":"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/author\/nathalie\/"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/category\/a-la-une\/\" rel=\"category tag\">A la une<\/a> <a href=\"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/category\/le-numerique-en-lettres\/experimenter-le-numerique-lire-ecrire-enseigner-autrement\/\" rel=\"category tag\">Exp\u00e9rimenter le num\u00e9rique : lire, \u00e9crire, enseigner autrement<\/a>","rttpg_excerpt":"Nathalie Perez, professeure de lettres modernes au lyc\u00e9e Beaussier Niveau \/ Discipline Lyc\u00e9e (2de) \u2013 Fran\u00e7ais Entr\u00e9e du programme Le roman et le r\u00e9cit du XVIIIe au XXIe si\u00e8cle : le personnage, ses transformations et ses qu\u00eates Probl\u00e9matique Comment une \u0153uvre num\u00e9rique, par sa multimodalit\u00e9 (texte, image, son), renouvelle-t-elle la lecture, la compr\u00e9hension et l\u2019interpr\u00e9tation\u2026","post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-json\/wp\/v2\/posts\/3493","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-json\/wp\/v2\/users\/209"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-json\/wp\/v2\/comments?post=3493"}],"version-history":[{"count":11,"href":"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-json\/wp\/v2\/posts\/3493\/revisions"}],"predecessor-version":[{"id":3528,"href":"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-json\/wp\/v2\/posts\/3493\/revisions\/3528"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-json\/wp\/v2\/media\/3494"}],"wp:attachment":[{"href":"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-json\/wp\/v2\/media?parent=3493"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-json\/wp\/v2\/categories?post=3493"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pedagogie.ac-nice.fr\/lettres\/wp-json\/wp\/v2\/tags?post=3493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}